![]() Though Johns says he has no interest in the direction of his shows, he was not completely absent from the curatorial process, according to Rothkopf. Jasper Johns/VAGA/Artists Rights Society/The Wildenstein Plattner Institute/The Whitney Museum of American Art "His sense of returning to an image or an object and reconsidering it with the distance of time is an essential engine of his art," said curator Scott Rothkopf. He recalled that it was “amazing,” saying: “I wish I could have visited it again.” At the time of his own show opening last month, however, he was “at home recuperating” following a fall at his home. When the Museum of Modern Art in New York recently mounted a major show of Cézanne’s drawings, Johns attended, having loaned some of the works. Over the course of the past year, Johns said he had been “working in the studio, for the most part, on a print that took a long time,” as well as gardening when time and weather allowed. “Mind/Mirror” was originally scheduled to celebrate Johns’ 90th birthday in 2020, but it was delayed by the coronavirus pandemic. ![]() And so how memory relates to perception and this passing of time, and this journey between these two places, had a parallel to some of the aspects of Johns’ art.” “Between these two cities, some people might have a day in between or a week or a month. “His sense of returning to an image or an object and reconsidering it with the distance of time is an essential engine of his art,” Rothkopf said, adding that this idea is especially pertinent for those traveling to see both parts of the show. Jasper Johns/VAGA/Artists Rights Society/Jamie Stukenberg/The Whitney Museum of American Art The artist often declines to discuss interpretation of his work, or the images that he reuses in his compositions. Johns has spent his entire career shifting viewers’ perspectives on the illusory quality of artmaking, contending with the picture plane and the nuance of reproduction. “As I’ve said before, the work is too familiar.” ![]() “I’m not very interested in exhibitions of my own work,” Johns told CNN over email. His latest retrospective, “Jasper Johns: Mind/Mirror,” is a massive dual-city show featuring hundreds of paintings, sculptures, mixed-media works and prints, with one half on display at the Whitney Museum of American Art in New York and the other at the Philadelphia Museum of Art (PMA). At 91 years old, Jasper Johns is one of the most important living artists today, with auction sales worth tens of millions of dollars and a seven-decade career credited with changing the course of 20th-century art.īut the American artist has always been reluctant to engage with interpretations or even showings of his work, leaving curators to present it as they like – and viewers to reach their own conclusions.
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